JOYCE_GANEY_TIKVA_2
JOYCE_GANEY_TIKVA_5
canon Joyce Oron 112
JOYCE_GANEY_TIKVA_4
JOYCE_GANEY_TIKVA_7
canon Joyce Oron 107
׳__׳“׳¨׳™׳›׳__׳™׳× ׳’׳•׳™׳¡ ׳__׳•׳¨׳•׳__-׳˜׳™׳™׳__׳×  ׳’׳ ׳™ ׳×׳§׳•׳•׳”--106
׳__׳“׳¨׳™׳›׳__׳™׳× ׳’׳•׳™׳¡ ׳__׳•׳¨׳•׳__-׳˜׳™׳™׳__׳×  ׳’׳ ׳™ ׳×׳§׳•׳•׳”--280
׳__׳“׳¨׳™׳›׳__׳™׳× ׳’׳•׳™׳¡ ׳__׳•׳¨׳•׳__-׳˜׳™׳™׳__׳×  ׳’׳ ׳™ ׳×׳§׳•׳•׳”--279
׳__׳“׳¨׳™׳›׳__׳™׳× ׳’׳•׳™׳¡ ׳__׳•׳¨׳•׳__-׳˜׳™׳™׳__׳×  ׳’׳ ׳™ ׳×׳§׳•׳•׳”--232
׳__׳“׳¨׳™׳›׳__׳™׳× ׳’׳•׳™׳¡ ׳__׳•׳¨׳•׳__-׳˜׳™׳™׳__׳×  ׳’׳ ׳™ ׳×׳§׳•׳•׳”--228
׳__׳“׳¨׳™׳›׳__׳™׳× ׳’׳•׳™׳¡ ׳__׳•׳¨׳•׳__-׳˜׳™׳™׳__׳×  ׳’׳ ׳™ ׳×׳§׳•׳•׳”--209
׳__׳“׳¨׳™׳›׳__׳™׳× ׳’׳•׳™׳¡ ׳__׳•׳¨׳•׳__-׳˜׳™׳™׳__׳×  ׳’׳ ׳™ ׳×׳§׳•׳•׳”--022
׳__׳“׳¨׳™׳›׳__׳™׳× ׳’׳•׳™׳¡ ׳__׳•׳¨׳•׳__-׳˜׳™׳™׳__׳×  ׳’׳ ׳™ ׳×׳§׳•׳•׳”--115
canon Joyce Oron 103
׳__׳“׳¨׳™׳›׳__׳™׳× ׳’׳•׳™׳¡ ׳__׳•׳¨׳•׳__-׳˜׳™׳™׳__׳×  ׳’׳ ׳™ ׳×׳§׳•׳•׳”--283
׳__׳“׳¨׳™׳›׳__׳™׳× ׳’׳•׳™׳¡ ׳__׳•׳¨׳•׳__-׳˜׳™׳™׳__׳×  ׳’׳ ׳™ ׳×׳§׳•׳•׳”--287

The "Avenue of Hope", Ganei Tikva (2002-present)

The Promenade of the "Avenue of Hope" was designed as a place where people can walk at different paces "leisurely". The Trees will define walking lanes and bicycle lanes. The promenade will be divided into segments, each with its own style. A number of plazas were designed as places for encounters and orientation: the Obelisk Piazzas, the Open Museum Piazza with a Cafeteria, the Open Theater Piazza, several playgrounds, etc.

 

With all these components presented, there is a leapmanship, a point where it is necessary to jump from "the known" to something else, "the desired"… because making a promenade, is more than putting all the necessary qualities together. "Sorcery" and "charm", "imagination and "inspiration" are involved, and may be the most crucial ingredients of them all.